Fredrick W Taylor Essay

Frederick W Taylor was one who drove an existence of sincere advancement in the creation and assembling divisions. His life was one the rejected on time study and one that best in class America and the world in logical administration. Taylor was conceived in Philadelphia, Pennsylvania on March 20, 1856. He carried on with a significant and respectable life for a long time and one day biting the dust on March 21, 1915. All through his lifetime he was an extraordinary innovator with more than 40 licenses and a splendid architect (Britannica). In his initial years Taylor was continually learning and making. At age 12, Taylor made a saddle that would hold him on his back to attempt to forestall bad dreams (www.stfrancis.edu). In 1872 he went to the Philips Exeter Academy in New Hampshire. Here he drove his class academically. After his consummation of studies at Philips Taylor began filling in as a machine shop worker in a steel plant named Midvale Steel Company. Rapidly Taylor began to develop in position; he turned into a fruitful shop representative, mechanical engineer, group chief, foreman, upkeep foreman, head of drawing office, lastly boss specialist. It is obvious to see that Taylor was a man of shrewdness and drive, who never made due with anything short of the best. In 1881, at age 25 he presented time learn at the Midvale Plant. The undertaking was an extraordinary achievement and accordingly the calling of time study was begun. While working at Midvale, Taylor learned around evening time to get a degree in mechanical building from Stevens Institute of Technology. As can be seen even since the beginning Taylor had triumphs in new territories of study which scorned on his later life achievements. All through Taylor’s mid and late life he kept on progressing and spread his insight into time study. He resigned at age 45, after that he, his significant other and their three received youngsters lived in Philadelphia from 1904 to 1914. He kept on dedicating cash and time to advance the principals of logical administration through talks at colleges and expert social orders (Britannica). In 1906 Taylor was chosen the leader of the American Society of Mechanical Engineers and that equivalent year was he was granted a privileged specialist of science certificate by the University of Pennsylvania (Britannica). Taylor was a man of master astuteness and prescience and it is seen for an incredible duration as we just examined however these attributes essential sparkle when you take a gander at his hypothesis and accomplishments of time study. He understood that creation could be expanded by normalizing this arrangement of work (smallbusiness.chrono.com). Taylor’s time study hypothesis was that he would separate each occupation into explicit undertakings and planned to what extent it took a specialist to finish each errand (smallbusiness.chrono.com). At that point he indicated precisely how each assignment was to be performed and what instruments to utilize, at that point the laborers were prepared to finish the errand with a specific goal in mind (smallbusiness.chrono.com). He did this since he accepted that there was one and only one strategy for work that boosted productivity as he stated, â€Å"And this one best technique and best usage must be found of created through logical investigation and analysis.† (Vincenzo Sandrone). He demonstrated this hypothesis at the Bethlehem Steel Works where they had 500 men scooping coal. He played out his time and movement studies and discovered that utilizing an alternate scoop for various size coal that it expanded the sum you could scoop. So because of these two examinations men could scoop more coal for a more extended timeframe. Along these lines he successfully diminished the quantity of men scooping coal to 140 (smallbusiness.chrono.com). This is the truth of his hypothesis and the outcomes represent themselves. Additionally, Taylor worked close by Henry Ford to make the principal mechanical production system (smallbusiness.chrono.com). Taylor additionally utilized his aptitude and applied it to moving pig iron. He expanded the sum moved from 12.5 tons per a day to 47.5 huge amounts of pig iron a day. This prompts another purpose of Taylor’s hypothesis and it was that he accepted that you needed to pick the opportune individuals for the errand. Relating the model just referenced, Taylor said that not all specialists were completely equipped for moving 47.5 huge amounts of pig iron per a day, maybe just 1/8 of the pig iron handlers could do that. This is on the grounds that their physical capacities were appropriate for moving pig iron. This is Taylor’s point, that laborers ought to be picked by how well they suit a specific activity. Taylor additionally had an inspirational hypothesis, called the financial man (Business Studies). This was laborers were propelled or supported by cash alone and the main factor that could animate additionally yield or work was the opportunity of winning additional cash (Business Studies). Taylor consistently said that laborers ought to be paid a ‘fair day’s pay for a reasonable day’s work’ and that the compensation ought to be legitimately connected with yield (Business Studies). This prompts a further purpose of Taylor’s, and it is called ‘piece rate’. To support this, laborers were pay by every unit that they delivered, and the primary unit were paid at a low rate and the more the specialist created that higher the compensation they got. He likewise accepted that motivating force compensation were of no utilization except if they were combined with effective errands that were deliberately arranged and handily learned (www.stfrancis.edu). Along these lines is Taylor’s fundamental inspirational proposal; to interface pay with yield. Taylor likewise normalized the job of the board. This included separating administrators from activities and giving them greater power to set the undertakings laborers do (smallbusiness.chrono.com). Taylors’ perspectives toward laborers were loaded down with negative predisposition â€Å"in most of cases this man purposely plans to do as meager as he securely can.† The techniques that Taylor received were coordinated exclusively towards the uneducated (Vincenzo Sandrone). Taylor accepted that the mystery of profitability was finding the correct test for every individual, at that point paying him well for expanded yield (www.stfrancis.edu). He accepted that motivating force compensation were no arrangement except if they were joined with proficient errands that were deliberately arranged and effectively learned (www.stfrancis.edu). All through this entry it is obvious to perceive what a work Taylor achieved. He is the dad of logical administration and the person who scorned off time study. Taylor consumed his entire time on earth expanding productivity in the work environment, working with making individuals and organizations, generally prominent, Henry Ford. He and numerous others of his time like Henry Ford accomplished work that put the United States on the main edge during the Industrial Revolution. Book index 1. Frederick Winslow Taylor, Mary Ellen Papesh, www.stfrancis.edu/content/ba/ghkickul/stuwebs/bbios/biograph/fwtaylor.htm 2. Britannica, Frederick W Taylor, www.britannica.com/EBchecked/theme/584820/Fredrick-W-Taylor. 3. Herzberg and Taylor’s Theories of Motivation, Lisa Magloff, Demand Media, www.smallbusiness.chrono.com/herzberg-taylors-speculations inspiration 704.html 4. Frederick W Taylor: Master of Scientific Management, www.skymart.com/assets/pioneers/taylor/asp 5. Business Studies second release, Peter Stimpson and Alastair Farquharson, Cambridge University Press 2010

The Case Of Harry Houndini Essay Sample free essay sample

A kind of unwritten or composed conveying. called clarifying. clarifies. depicts. gives data and even illuminates the perusers. The essayist of a descriptive origin could non accept that his perusers or listeners have previously mentioned informations or foremost infiltration about the theme being examined. Other than. the essayist should ever use words that are simple understandable by a typical peruser. Most essentially. the essayist must make sure that he gives waies to his perusers to association is extremely of import in this kind of initiation. ( â€Å"Information About Expository Writing† ) If the association of musings is powerless to get down with. so it would already be able to be said that the nature of the full paper would be hapless as acceptable. Probably the best representation of a descriptive creation is â€Å"The Case of Harry Houdini† composed by Daniel Mark Epstein. This is on the grounds that it contains all the highlights referenced previously. from association of considerations down to the musings that the essayist is leaving to his perusers. We will compose a custom exposition test on The Case Of Harry Houndini Essay Sample or then again any comparative theme explicitly for you Don't WasteYour Time Recruit WRITER Just 13.90/page In particular. the author began his work by giving a diagram of what might be talked about in the full paper. which in twist fills in as usher to the perusers. Along these lines. he sought after with the full work by talking them in thing. Other than. he did non do any premises that may hinder a standard peruser from understanding his work. Last. the essayist makes sure that he gives assistant inside informations about everything for it to be comprehendible. Toward the start of his origin. he demonstrated some data about Houdini’s life. especially being a rabbi’s kid. his introduction to the world in Hungary to his movements in the United States. up to his Tourss back in Europe. thus coming back to the U. S. After the said life. he so educates his perusers regarding what he does. which is to be a departure imaginative individual. He other than explained the classs of activity that the ( German ) functionaries and Houdini himself do at whatever point he is attempting another flight demonstration. Last. the essayist expressed that towards the terminal of Houdini’s calling. he himself uncovered the privileged insights of his ain quick ones. Notices â€Å"Information About Expository Writing. †

Essay Topics For Guns Germs And Steel - What Should You Write?

Essay Topics For Guns Germs And Steel - What Should You Write?Essay topics for guns germs and steel are available for your consideration. These are topics that are covered in your education or are covered in military or law enforcement schools. Consider your military experience in the past and present, as it relates to the question of whether you should consider a career in either field.While it is true that you are probably familiar with both types of work, you may not be familiar with all the differences between them, or the benefits that each one offers. The essays for guns germs and steel used in these particular types of schools are normally prepared by local students from the area where you currently live.Many of the students who attend these local schools tend to be those who have been involved in the active military or law enforcement services, or are interested in pursuing such careers. Many of these students were involved in both ways, in school or at a military or law enfo rcement training facility during their youth.The people who compose these essays are those who were involved in active military or law enforcement, and most are active duty members of the military or the police force. Therefore, these are the type of people who generally apply for admission to schools like the one mentioned above.The people who apply for admission to schools that are involved in topics like this or any other specific branch of the armed forces or law enforcement are usually more aware of their job options, or the employment that they can expect once they have completed their military or law enforcement service. They are also likely to have more experience in the job they wish to pursue.For example, many military personnel are required to work in a combat position for several years. This is to ensure that they have the skills necessary to deal with an enemy force, who may have infiltrated a post. This is not the case with many law enforcement applicants, who tend to be highly skilled in the use of firearms and other instruments of death.Another major difference between the two jobs is that the police officer or security guard, who has to protect property and persons, does not have to worry about being shot while defending his or her premises. The job of a policeman or security guard is to prevent the commission of a crime by any means necessary.This duty means that the person performing this task has to constantly be on the lookout for threats, but usually does not have to put up with hostile acts that are not part of the job, even if they are on a regular basis. For this reason, the gun topic for guns germs and steel tends to be much more popular with the applicants to schools in areas where this topic is the norm.

Tougher Gun Control Laws Essay - 1947 Words

Do We Need Tougher Gun Control Laws? One of the most controversial issues in our society today is the topic of private gun ownership and gun control laws. This controversy has arisen mostly due to the different ways that the second constitutional amendment is interpreted. The amendment states that a well regulated militia, being necessary to the security of a free state, the right to the people to keep and bear arms, shall not be infringed (Lott, 2000). On one side of the issue, there are those that believe that the amendment guarantees the right of individuals to possess and carry a wide variety of firearms. On the other side are those that contend that the amendment was only meant to guarantee to States the right to operate militias.†¦show more content†¦The only thing that will reduce crime, is dealing with the crime, not the guns. We should also take into consideration the adverse effect that gun ownership can have on crimes being committed. Guns in the hands of prospective victims of violence can deter criminal attempts, thus having a violence-reducing effect. Armed victims can also disrupt crimes, which suggest again that widespread civilian gun ownership can in certain instances deter criminals from attempting crimes in the first place. For example, a potential burglar might reconsider going through with the crime if he or she is aware that the population is armed. In addition, probably less than one percent of all guns will ever be involved in a violent crime. The problem of criminal gun violence is concentrated within a very small subset of gun owners, indicating that increasing gun control aimed at the general population faces a serious needle-in-the-haystack problem and will not achieve the intended benefit (Young, 2002). Tougher gun control laws will most certainly lead to less people owning guns. It is argued that if less people own guns, then those who choose to commit suicide using a gun will be saved. However, there is no direct correlation between those who choose to commit suicide and the amount of people who choose to own a gun (Thompson, 2001). Although gunShow MoreRelatedPersuasive Essay On Gun Control1105 Words   |  5 Pagesthe victims ranging from the ages of 5 to 72. Gun control has been an issue in the United states since the 1960’s. Many innocent lives have been lost because the use of guns are uncontrollable. As a result, that makes it easier for teens and elders to get their hands on a gun. Living in Boston has shown me how guns are impacting the community. With that being said, these questions has been brought to my attention; What are the effects on carrying a gun either legally or illegally without harsh rulingRead MoreEssay about America Needs More Gun Control Laws1397 Words   |  6 Pagesacross the United States. Nevertheless, in today’s society, gun violence is sparking debate and controversy on how to control gun violence. Throughout the country, thousands of laws and regulations have been created to aid in the control of guns. Through much study, the gun laws and regulations in place have very little effect on the number of gun related injuries and deaths. More needs to be done to establish an effective way to control gun violence. Potential Solutions Shootings in the United StatesRead MoreGun Control Will Not Reduce Crime Essay1532 Words   |  7 PagesIn Just Take Away Their Guns, author James Q. Wilson argues that Legal restraints on the lawful purchase of guns will have little effect on the illegal use of guns (Wilson 63). Wilson points out that it would be tough to remove all legally purchased guns from the streets and nearly impossible to confiscate illegally purchased guns. Gun advocate J. Warren Cassidy argues that The American people have a right to keep and bear arms. This right is protected by the Second Amendment to the ConstitutionRead MoreThe Importance Of Gun Control919 Words   |  4 PagesGun control, a very controversial topic that is very important in the United States. Well, why is controversial? To put it simply, it is because we cant seem to agree on how to control guns. The ownership of guns in the United States stems back since its inception, where the founding fathers granted citizens the right to bea r arms. Since then, the government has implemented laws and protocol to keep guns out of reach from dangerous people who may use them in ways that put innocent lives in dangerRead MoreCompare and Contrast1122 Words   |  5 Pagespush for gun control because of the rise of shootings involving a large group of people such as the Columbine massacre, Virginia Tech shooting and latest Aurora movie theater shooting involving people who have purchased firearms legally. Gun control laws in the United States have been established for many years but to maintain a civilized society with limited crime stronger control laws need to be enforced in which will help reduce crime in our country. Establishing stronger gun control laws will educateRead MoreSay Yes to Gun Control1144 Words   |  5 PagesYes to Gun Control What would make you feel safer? Walking down the streets knowing that people can carry guns around willingly or knowing that people cannot carry guns willingly and that there are strict rules and regulations for having a gun? I would go with the second option. America has some of the highest rated gun related crimes and homicides. If you erase the option people being able to own guns, maybe there will be less gun related incidents. Yes you can still be able to get guns from placesRead MoreJust Take Away Their Guns955 Words   |  4 Pages Click-Clack-Bow! This is the noise of gun going off, something that is heard everyday. This very noise not only injures people, but it causes innocent people to die. Guns are the number one cause of leading deaths today. According to James Q. Wilson article â€Å"Just Take Away Their Guns,† Wilson states that both the President and public want tougher gun control laws (125). The only difference is that the public believes that it wonâ€℠¢t change anything. Wilson also believes that it would take a politicallyRead MoreEssay on Canadian Firearms Program1321 Words   |  6 PagesCase Study: Individual Preparation Report Name: Maruf Hashem Date: January 30, 2013 Case Title: Canadian Firearms Program Introduction Gun violence is serious social problem and Canada has a long history of firearms control. However, increasing costs to the Canadian Firearms Program (CFP) has made it a lightning rod for criticism from both pro and anti-gun advocates. Reports out of the media and Auditor General Sheila Fraser paint a picture of inefficiency, incompetence and mismanagement. ThisRead MoreThe Debate Over The State Of Texas Essay1369 Words   |  6 Pageserupted, particularly on the issues of mass shootings and gun control. When it comes to gun control laws, opinions are unequivocally divided between republicans and democrats. Republicans venerate and sharply defend the Second Amendment of the Constitution as right of the people to defend themselves, while Democrats yell desperately for gun restriction laws and even a change to the Second Amendment, these with the purpose of getting guns out of the streets and preventing other mass shootings. TheRead MoreThe Bombing Of Orlando Nightclub1656 Words   |  7 Pagesdebating whether stricter gun control laws could have prevented this attack on American soil. Could this mass shooting have been prevented with tougher us gun control? Is it easier to obtain a weapon in the United States compared to anywhere else in the world? By creating tougher gun laws with that allow us to keep guns away from bad people? These are all questions Congress facing on a daily basis when it comes to the issue whether or not we should control Americans guns. December 15th, 1791 the

Definition and Examples of Symbolism in Rhetoric

Symbolism  (pronounced SIM-buh-liz-em)  is the use of one object or action (a symbol) to represent or suggest something else. German writer  Johann Wolfgang von Goethe famously defined true symbolism as that in which the particular represents the general. Broadly, the term symbolism may refer to the symbolic meaning or the practice of investing things with a symbolic meaning. Though often associated with religion and literature, symbolism is prevalent in everyday life. The use of  symbolism  and language, says Leonard Shengold, makes our minds flexible enough to grasp, master, and communicate thoughts and feelings (Delusions of Everyday Life, 1995). In Dictionary of Word Origins (1990), John Ayto points out that etymologically a  symbol  is something thrown together. The words ultimate source is Greek  sumballein  . . .. The notion of throwing or putting things together led on to the notion of contrast, and so  sumballein  came to be used for compare. From it was derived  sumbolon, which denoted an identifying token—because such tokens were compared with a counterpart to make sure they were genuine--and hence an outward sign of something. Examples and Observations [T]he symbolic elements in life have a tendency to run wild, like the vegetation in a tropical forest. The life of humanity can easily be overwhelmed by its symbolic accessories. . . . Symbolism is no mere idle fancy or corrupt degeneration; it is inherent in the very texture of human life. Language itself is a symbolism.(Alfred North Whitehead, Symbolism: Its Meaning and Effect. Barbour-Page Lectures, 1927) The Rose as a Symbol Pick the rose. It used to symbolise the Virgin Mary and, before her, Venus, the pricking of its barbs being likened to the wounds of love. The association still survives in the common meaning of a bunch of roses (I love you). Flowers might be delicate and short-lived but they have acquired a vast range of unpredictably durable meanings, a whole bouquet of significances: affection, virtue, chastity, wantonness, religious steadfastness, transience. The modern multiplication of floral emblems and trademarks has, however, taken its toll. When the red rose can stand for the Labour Party, a box of chocolates and Blackburn Rovers FC, it seems fair to say that its symbolic potency has been somewhat diluted by over-use. (Andrew Graham-Dixon, Say It With Flowers. The Independent, September 1, 1992)The rose . . . has collected around itself many layers of meanings, some of which contradict or challenge each other. As associated with the Virgin Mary, the rose symbolizes chastity and purity, whil e as associated with sexuality in medieval romance literature, it symbolizes carnality and sexual bliss, its tightly furled bud a favorite symbol of female virginity, its full-blown blossom a symbol of sexual passion.Multiple meanings may jostle for dominance around a symbol, or, in contrast, a symbol may over time, come to possess a single, fixed sense. Symbols, therefore, can enrich language by bringing it an array of different possible meanings, or they can reinforce a single meaning, as with images that constantly dehumanize. (Erin Steuter and Deborah Wills, At War With Metaphor: Media, Propaganda, and Racism in the War on Terror. Lexington Books, 2008) Jung on the Range of Potential Symbols The history of symbolism shows that everything can assume symbolic significance: natural objects (like stones, plants, animals, men, mountains and valleys, sun and moon, wind, water, and fire), or man-made things (like houses, boats, or cars), or even abstract forms (like numbers, or the triangle, the square, and the circle). In fact, the whole cosmos is a potential symbol. (Carl Gustav Jung, Man and His Symbols, 1964) Real and Symbolic Suns Once when I was analyzing the symbolism of sun and moon in Coleridges poem, The Ancient Mariner, a student raised this objection: Im tired of hearing about the symbolic sun in poems, I want a poem that has the real sun in it.Answer: If anybody ever turns up with a poem that has the real sun in it, youd better be about ninety-three million miles away. We were having a hot summer as it was and I certainly didnt want anyone bringing the real sun into the classroom.True, a distinction could be made here corresponding to the difference between concept and idea in the Kantian terminology. The notion of sun qua sun, as the sheerly physical object that we grow our crops by, would be a concept. And the notion of the sun as avenger . . . would carry us into the realm of ideas. The student was correct in feeling that a stress upon symbolism can blunt our concern with the sheerly literal meaning of a term (as when critics become so involved with the symbolism of a story that they ignore its natu re simply as a story). (Kenneth Burke, The Rhetoric of Religion: Studies in Logology. University of California Press, 1970) The Symbolism of the Filibuster The filibuster has at times symbolized, justifiably or not, the courageous stand of principled individuals against a corrupt or compromised majority. That symbolism was captured in Mr. Smith Goes to Washington, the classic Frank Capra film in which James Stewart plays a naà ¯ve newcomer who holds the Senate hostage for longer even than Strom Thurmond did, before collapsing in fatigue and triumph. (Scott Shane, Henry Clay Hated It. So Does Bill Frist. The New York Times, November  21, 2004) The Symbolism of Book-Burning As an act of wanton barbarism, there is little to rival the symbolism of setting fire to a book. It is, therefore, genuinely shocking to learn that book-burning is taking place in south Wales. Pensioners in Swansea are reportedly buying books from charity shops for just a few pence each and taking them home for fuel. (Leo Hickman, Why Are They Burning Books in South Wales? The Guardian, January  6, 2010) The Dumber Side of Symbolism Butt-head: Look, this video has symbols. Huh-huh-huh.Beavis: Yeah, is that what it means when they say videos have symbolism?Butt-head: Huh-huh-huh. You said ism. Huh-huh-huh-ha-huh.(Customers Suck. Beavis and Butt-Head, 1993)

Lookism †Appearance and the Discrimination That Goes with It

Human Resources Management Executive Memorandum To: From: Date: November 16, 2011 Re: Lookism – Appearance and the discrimination that goes with it Lookism is a more and more pressing problem for companies and corporations, that strive to create an equal opportunities work space. The definition of lookism is â€Å"bias or discrimination against individuals on the basis of appearance, often unconscious.† This discrimination refers to both people who are not perceived as attractive and those who have to deal with the stereotypes connected to being exceptionally good-looking. The business world should acknowledge this relatively new type of discrimination because it leaves companies vulnerable to a whole new field of lawsuits.†¦show more content†¦The outcome of the lawsuit was that Elsa Sallard received a compensation of $750,000. However in the US legislation there is nothing that explicitly protects people who are for example short, obese, simply do not meet society’s standards of beauty or exceed it in any way. The problem here of course is how anyone can create a law that protects those people, when there is no clear definition of beauty. People’s perception of beauty changes with time and is different in different areas of the world. Nevertheless research shows us that â€Å"taller men earned around $600 per inch more than shorter executives.† Overall people perceived as beautiful have more job opportunities as well as a higher chance for advancement in their carriers. A study was conducted by the University of North Carolina at Pembroke on the topic of the relationship between attractiveness of professors and the perceived quality of their teaching. What the study found out was a strong relationship between the two – â€Å"results indicated that as hotness ratings increased, so did ratings on overall quality, clarity, and helpfulness. Additionally, further analysis indicated that the greater the percentage of hotness ratings to overall ratings, the more likely that students rated the professors favorably.† Moreover research shows that attractive people perform better when interviewed. An interesting fact isShow MoreRelatedThe Effects Of Prejudice On Children And Young People1502 Words   |  7 Pageschildren to fit in and to conform with expected appearances and behaviour that they may be discriminated aga inst and bullied if they do not. Both discrimination and prejudice can take a range of forms and can take place for a multitude of reason and usually occurs through lack of knowledge and understanding of diversity, every childcare professional must be conscious of the fact that a child or young person will experience some form of prejudice or discrimination against them throughout their time in schoolRead MoreAppearance Discrimination in Employment22039 Words   |  89 PagesAppearance discrimination in employment: Legal and ethical implications of â€Å"lookism† and â€Å"lookphobia† [pic] http://www.emeraldinsight.com/journals.htm?issn=2040-7149volume=32issue=1articleid=17077304show=html Downloads: The fulltext of this document has been downloaded 1519 times since 2013 DOI (Permanent URL):  10.1108/02610151311305632 [pic]  Abstract [pic]  View PDF  (200kb) [pic]  Print View References †¢ References (67) Citations †¢ CrossRef (1) Further reading Read MoreWhat Makes A Person?2063 Words   |  9 PagesSome people tend to judge others only by their appearances. We all know that judging a person by his or her appearance is not the right thing to do. But still many standard of beauty exist in our society. If someone is located lower the standard that society made, people started to think he or she is ugly and leave them out. So based on this standard of beauty, people are putting others into categories and measuring them by their level of attractiveness. This has been a problem for a long time but

Image Analysis “ Andy Warhol and Damien Hirst Essay Example For Students

Image Analysis â€Å" Andy Warhol and Damien Hirst Essay While I think these two artifacts offer multiple topics of interesting similarities I want to focus on the impact that society, technological developments, economic factors and armor innovations had on the artists. The main question I want to draw on in the essay on is how both of the artifacts raised questions at the times they were made because they both were so new and challenged previous styles and why the artists did this. Andy Warhol was an American artist, born in 1928 in Pittsburgh, Pennsylvania. He was one Of the founders Of the Pop Art movement. One Of the reasons that his work was so new and confused people, was because he was carrying on from the Abstract Expressionist movement and that was a very energetic way Of painting with large canvases and rapid. Pantones brush strokes completely different from the Pop Art style that Warhol used. The offs Pop Culture became very cool for young people and it was the beginning of pop music and think that is why Warhol became so famous because he epitomized the coolness of the new way of life; money, fame and uniqueness. Turquoise Marilyn, which is Acrylic and Silkscreen on Linen is part oaf series of more than twenty Marilyn silk-screens all of which were done in different colors. Warhol produced the Marilyn series the year after she died. The photograph to Marilyn that Andy Warhol used tort he whole Marilyn series was based on a publicity shot she had done for the 1953 movie Niagara although there have been many claims that another photograph of her with her head tilted sideways and with earrings on was used over the top of the other photograph but it has never been confirmed. Turquoise Marilyn has a turquoise background and her hair is bright yellow with the shadows in black. Warhol used very bright and bold colors in most of pieces; I think that this could be to show a symbol of strength about Monroe. In Turquoise Marilyn her face is pink while her lips are bright red and black and her eyelids are a blue color. The taffeta is around inches by 40 inches. The head of Marilyn takes up the majority of the image with her neck only showing half and going off the bottom. Her head looks as though it is slightly tilted upwards and her eyes are looking directly at the viewer. To me it is as though he was trying to bring her back for himself and all her fans as a way to keep her forever and especially the way he mass produced the silk-screens it was as though she had become a consumer product like something you could just buy in a shop. The pop Art movement, which Andy Warhol, along with many others, helped ring about in Britain and the LISA in the sass, was all about the want and need for mass-producing and the popular. During the 1 coos there was a world vide economic boom due to the post-war regeneration schemes. Many people who had lived through the rationing of World War TWO were now steadily becoming more affluent and this resulted in society changing and increases in production and consumption Of consumer goods. Pop Art reflected the societies mass- media culture of television, radio, movies and advertising. This is shown in Andy Whorls work. Many Of his pieces are Of famous brands or famous people such s Coca Cola, Brills, Marilyn Monroe and Michael Jackson along with many others these images all capture the media, fame and consumer obsessed culture that had become post WWW. .uaa318ca3e50285d476b6444e00bc32f1 , .uaa318ca3e50285d476b6444e00bc32f1 .postImageUrl , .uaa318ca3e50285d476b6444e00bc32f1 .centered-text-area { min-height: 80px; position: relative; } .uaa318ca3e50285d476b6444e00bc32f1 , .uaa318ca3e50285d476b6444e00bc32f1:hover , .uaa318ca3e50285d476b6444e00bc32f1:visited , .uaa318ca3e50285d476b6444e00bc32f1:active { border:0!important; } .uaa318ca3e50285d476b6444e00bc32f1 .clearfix:after { content: ""; display: table; clear: both; } .uaa318ca3e50285d476b6444e00bc32f1 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uaa318ca3e50285d476b6444e00bc32f1:active , .uaa318ca3e50285d476b6444e00bc32f1:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uaa318ca3e50285d476b6444e00bc32f1 .centered-text-area { width: 100%; position: relative ; } .uaa318ca3e50285d476b6444e00bc32f1 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uaa318ca3e50285d476b6444e00bc32f1 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uaa318ca3e50285d476b6444e00bc32f1 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uaa318ca3e50285d476b6444e00bc32f1:hover .ctaButton { background-color: #34495E!important; } .uaa318ca3e50285d476b6444e00bc32f1 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uaa318ca3e50285d476b6444e00bc32f1 .uaa318ca3e50285d476b6444e00bc32f1-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uaa318ca3e50285d476b6444e00bc32f1:after { content: ""; display: block; clear: both; } READ: Cultural Analysis EssayTurquoise Marilyn is one of Andy Whorls most famous pieces of work. When he first started doing portraits he would paint each one at a time until he discovered Silk-screening and he was then able to mass-produce all of them which makes his work seem even more relevant as this line states In mass-producing images of everyday items such as soup cans and Marilyn Monomers, he questioned both authorship and the validity to uniqueness. He also firmed common American culture, and questioned what beyond art. (E Art Fair, 2008). The way that Warhol created the image using the silk-screening process meant that some of the lines were blotchy and her lips were slightly offset hut Warhol left them like it leading critics to see his portraits as quite impersonal as this quote states He impersonality his artwork as much as feasible. His most successful portraits of glamorous film star Marilyn Monroe showed a mask-like face which as an iconic and thus unreal quality to it (E Art Pair, 2008) and the art critic Robert Hughes said What they suggested was not the humbugging touch f the hand but the pervasiveness Of routine error and of 1997). From an early age Warhol was completely fascinated with Hollywood and the glamour that came With it Which is Why think he created the Marilyn series along with the many other stars he amortized in his paintings such as Elizabeth Taylor, Elvis Presley to name a few. The art critic Robert Hughes said he is the last of the truly successful social portraitists, climbing from face to face in a silent delirium of snobbery, a man so interested in elites that he has his own society magazine (Hughes, 1982) and this is clearly shown in the number f celebrity portraits he created. The magazine Warhol created was called Interview; in it were interviews with famous people from the worlds of fashion, film, art, and music along with many other elitists. This was the beginning of the culture to which our society has felt the need to know everything about famous peoples lives making us tee as though we are the same as them. The Marilyn series was not commissioned by anyone Warhol just decided he wanted to do it. Hint that the reason Warhol did so many to the Marlins was because to how much of an icon and sex symbol she was and I think he felt a sort of bond with ere as all they both ever wanted was the Hollywood fame and fortune as this quote says The Vatican L servomotor Romano put the blame on the general decline of morals, holding that Marilyn was the victim of a godless way of life in which Hollywood forced her to be the symbol (Luck, 1964). The place where Warhol created most of his art was called The Factory and it was a studio located on the fifth floor at 23 1 East 47th Street, in Midtown Manhattan, LISA. It was a very popular place where many extremely famous stars would hang out faith Warhol. There ever people such as Breastbones, Miscarriage, Edie Sedgwick, Lou Reed, Sterling Morrison, Maureen Tucker, and John Call along with many Others and Warhol would also make films in there of many things including people sleeping Which is where some people think the ideas for Big Brother came from as it is a look into peoples personal lives when they are at their weakest. Dampen Hirsh sis British artist born in Bristol, 1965. He is one of the prominent members of Young British Artists or Yaps who had a big impact on the art world during the 1 asss. Hirers work has always been very controversial but it is still very original. When Hirsh created For the love of God it was 2007 just before the recession and society was very greedy and money obsessed. .uda011faf8d8c7901070e0584d1b18a3d , .uda011faf8d8c7901070e0584d1b18a3d .postImageUrl , .uda011faf8d8c7901070e0584d1b18a3d .centered-text-area { min-height: 80px; position: relative; } .uda011faf8d8c7901070e0584d1b18a3d , .uda011faf8d8c7901070e0584d1b18a3d:hover , .uda011faf8d8c7901070e0584d1b18a3d:visited , .uda011faf8d8c7901070e0584d1b18a3d:active { border:0!important; } .uda011faf8d8c7901070e0584d1b18a3d .clearfix:after { content: ""; display: table; clear: both; } .uda011faf8d8c7901070e0584d1b18a3d { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uda011faf8d8c7901070e0584d1b18a3d:active , .uda011faf8d8c7901070e0584d1b18a3d:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uda011faf8d8c7901070e0584d1b18a3d .centered-text-area { width: 100%; position: relative ; } .uda011faf8d8c7901070e0584d1b18a3d .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uda011faf8d8c7901070e0584d1b18a3d .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uda011faf8d8c7901070e0584d1b18a3d .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uda011faf8d8c7901070e0584d1b18a3d:hover .ctaButton { background-color: #34495E!important; } .uda011faf8d8c7901070e0584d1b18a3d .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uda011faf8d8c7901070e0584d1b18a3d .uda011faf8d8c7901070e0584d1b18a3d-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uda011faf8d8c7901070e0584d1b18a3d:after { content: ""; display: block; clear: both; } READ: Analysis Of "The Scream" EssayCelebrity culture was eve/here and people wanted the jet-set lifestyle that was being thrust in their faces through the media, think that is what Dampen Hirsh was trying to show through For the love to God by encrusting is with diamonds hes showing the cliche ©s of modern life as it cost over E 1 4 million to create and sold tort SO million. Dampen Hirers other work has included The Physical Impossibility of Death in the Mind festoon Living which a 14-foot long Tiger Shark preserved in Formaldehyde. When Hirsh created The Physical Impossibility of Death in the Mind of Someone Living in 2004 the economy in Britain was still thriving and it avgas by having a friendship with Charles Chitchats that he was actually able to create it. Charles Chitchats is an Art Collector and made his fortune through an advertising business with his brother in the sass, it is due to him sponsoring Dampen Hirsh along with many Others that Hirsh was able to break into the art world. For instance, Dampen Hirsh is a bad artist, but he is a very important bad artist, because hes bad in a big way that reflects a lot Of the bad wings about the art world and culture at large. (Hickey, 2007) this is a description Of Dampen Hirsh that shows the controversy surrounding him because some people feel as though his art is not art. The ways that both Andy Warhol and Dampen Hirsh worked off of the cliche ©s and idealism in their retrospective societies shows the similarities between them. Although from looking at both Andy Whorls and Dampen Hirers work together you cannot actually see any similarities, as Whorls are all flat paintings and Hirers are mainly ID, it is the similarities behind the meaning that I want to focus on. Both artists picked up on the power that the media have on people and they used it to their full advantage, Warhol new that the public wanted money, tame and the life-style of the rich and famous 50 thats what he concentrated on things that were popular. Hirsh also concentrates on the way the public sees money as a status, with all of his pieces costing millions to create. In conclusion I feel that both Andy Warhol and Dampen Hirsh were innovators of their times. They both knew exactly what the public wanted and although they were often received controversially they both stuck at what they thought to be eight and I think it paid off. They both worked off of the fame hungry and money obsessed cultures that our society has become.

Racial Identity Struggles Among Multiracial Families and Children free essay sample

Many children commonly experience the social isolation of not belonging to a defined group. I will examine which factors influence these families to identify racially, the psychological effects of their well-being, and the importance of the education systems approach towards relating to multiracial children in the classroom. A major difficulty mixed-race families and children face are assumptions and misconceptions about their racial identity. One of the most common misconceptions is derived from the area of sports and its direct correlation between that of whites and blacks. The problem is that such scientific misconceptions about the â€Å"natural† athleticism of black person’s body feeds directly into the stereotypes common in racial differences. In the movie â€Å"White Men Can’t Jump†, Woody Harrelson and Wesley Snipes portray a good example that these stereotypes die hard yet linger in subtle competitions still today. In terms of racial identity, we should not have to ask blacks what special genes they possess that enable faster running or higher jumping, but rather why a general consensus regarding sports is so in-tuned with it not being of equal latitude or athletic ability with whites. We will write a custom essay sample on Racial Identity Struggles Among Multiracial Families and Children or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page How mixed children racially identify can depend on a number of factors, including physical features and family attachments. To a degree, a person’s feelings and behaviors are in fact a direct representation of the ethnic group they have identified themselves with. Therefore, it is critical for parents to have a positive outlook and a perceived general sense of acceptance about their child’s ethnic identity and realize it is an essential part of the developmental process (Herman 2004). Parents can however, influence children to understand that ethnic identity is more than what a person can see on the outside. The attitudes of multi-racial children are predominantly influenced by parents, teachers, peers, and extended family, all of whom have a major role in facilitating a childs acceptance and pride in his or her racial identity. Children, who are subjected to a lack of education regarding their ethnic culture or find themselves in an attempt to acquire more time with one parent or the other, can lose an identity and become `stagnant (Wardle 2000). Members of specific multi-ethnic groups often share common culture, traditions, values, and/or beliefs. Theories are developed through various ethnographic studies, in addition to conducted interviews amongst bi-racial and multiracial families (Herman 2004). Multiracial families have come to realize that it is quite difficult to fit into a specific ethnic group. Maintaining an ethnic identity is particularly relevant when ones ethnic group is the minority group in society (Herman 2004). Most commonly individuals begin to identify with their â€Å"master status†, which is their primary identities that overshadow their other status’. U. S. hildren of black and white parentage have additional difficulties due to the polarization of blacks and whites (Wardle 2000). In societies that fail to acknowledge their ethnic and racial backgrounds, biracial children often struggle as they attempt to merge their dual heritage without compromising either one. In the U. S. the extensive backgrounds and heritage of many multi-racial children is almost inconspicuous. It has been theorized t hat this invisibility occurs because society attempts to keep the races pure, in spite of the fact that such purity does not exist. Most often, children of multi-racial parentage are identified with whichever race their physical features most reflects (Wardle 2000). Unfortunately, children of multi-racial parentage suffer from the same racism and prejudice that taunts those of unmixed minority heritage (Herman 2004). Society often pressures mixed-race individuals to choose just one race because of the outdated â€Å"one-drop rule† which mandated that Americans with any African heritage be classified as black(Wardle 2000). This sort of colorism has long been an issue for mixed-race people and renders the individual incompetent of his/her complete heritage. Achieving a full sense of identity is an important psychological task for children at best, but forcing them to choose one or the other is a deliberate attempt to disregard the diversity and multi-cultural experiences they are entitled to. In such cases, second generation children born in America who only speak English, may find it challenging to communicate with relatives who speak their foreign tongue. In addition, children may lose an identity when significant areas of their heritage are not visited or explained to them in detail. Children who are culturally interconnected with significant makeups of their genetic heritage are very fortunate and less sanctioned than those who have not had the privilege. Identity development is a never-ending process. Many of the toughest problems multi-ethnic individuals and families face is choosing which part of their identity they want to emphasize. Ethel Branch, whose mother is Navajo and whose father is part Spanish-Mexican, part Basque and part French, went to an all Native-American grade school in Arizona. According to Branch she was referred to as a â€Å"white Indian† in her younger years due to this culmination of backgrounds she possessed. As she states, â€Å"It’s really hard coming to terms with your own identity, you just don’t have that validity that other people have† (Colby 1999). Sociologists have developed the term biracial children as â€Å"marginal man,† this is when an individual has to live in two types of worlds, not so much different, but two very opposing cultures. Biracial children’s ascribed statuses are scrutinized by society and scientists, their dual status is looked at as being in two parts. The scrutiny leaves children to choose or identify with, one race over the other. This uncomfortable circumstance is quite uneasy for biracial children to maintain. Research has shown that biracial children may be disregarded from single racial group categories and events. Campbell and Eggerling-Boeck (2006) have pointed out that biracial children are left isolated because they have no tools to use in learning how to assimilate within a specific group. According to Harris and Thomas (2002), have referred to â€Å"external race† as the race that an observer assigns to the individual’s identity, and â€Å"expressed race† refers to the â€Å"articulations of an individual’s identity through words and actions† (2004:4). Poor mental health and social adjustment are mere reflections of this stigma. Society labels biracial children by their outside appearance by associating their skin tone to a particular single race category despite the child being biracial. The rejection caused by social communities from both racial groups of the child may lead to poor mental health and inadequate social interaction. The constant challenge of being asked routinely who they are, where do they belong, who do you identify with, becomes stressful for biracial children (Campbell and Eggerling-Boeck 2006). The struggle to identify with who they are becomes confusing for multiracial children and individuals (Campbell and Eggerling-Boeck 2006). Society sets these roles for multiracial children, to choose a status and stick to that status. Multiracial children deal with constant role conflict as they are expected and at times forced to choose from only one of their specific races. Many biracial and multiracial children may have been raised on one particular side of their family and have become familiar with the ways and lifestyles of that race, ethnicity, and culture but society assumes that multiracial children will immediately also identify with the lifestyles, trends, and ways of their other half based on the physical characteristic stereotypes of their hair type and skin tone. Many schools celebrate specific events designed to highlight various minority cultures: Martin Luther King Day and Black History Month for African Americans, Hanukkah for Jews, Chinese New Year for Chinese Americans and so forth. The effort to include and celebrate the ever-increasing diversity of the student population in this country as well as others is slowly being reflected in curricula, content, practices and celebrations. Education plays a pivotal part in the way multiracial families are being recognized through these multicultural celebrations. Many educational tools such as diversity workshops, multicultural celebrations, multicultural children’s books, and curriculum content all help multicultural children to find their place in society. Curriculum provides information pertaining historical multiethnic Americans and multicultural antibias activities, in addition to the uniquely designed diversity workshops. With regards to biracial and multiracial children and families, their challenges of fitting into any single category of race continue. In order to keep up with the demand of racial categorization from society these families fight the battle by educating and exposing their children to traditional common cultures, beliefs, and religious spiritual upbringings. By passing on these traditions, it is less likely for multiethnic and multiracial children to struggle with the challenging and frustrating stigma and scrutiny brought upon by society. With a deeper understanding of identity, biracial and multiracial children’s capabilities to maintain pressure strengthen. With more community based projects and events that cater to multiracial children, resources for counseling for biracial and multiracial children, and opening doors to multiracial families will alleviate some of the challenges these families face. Forming biracial and multiracial support groups, within communities, for these families would also aid to strengthen and build the identities of biracial and multiracial children. In conclusion, the United States remains a racially divided and unequal society. Prejudices in society will not be lessened until people become more tolerant with regards to racial equality and the uniqueness each of us share as individuals. Contemporarily, we are trying to navigate a very complex racial terrain where multiracialism is discussed and debated, where race and racism is denounced and supposedly diminished, where, in the end, race still matters as an axis through which goods, services, opportunities and life chances are distributed unequally to members of the same society.

Free Essays on Edger Allan Poe

Edger Allen Poe Edgar Alan Poe was born in Boston in 1809, the son of itinerant actors. Both his parents died within two years of his birth. Edgar was taken into the home of a Richmond merchant, John Allan, although he was never legally adopted. His early work as a writer went unrecognized and he was forced to earn his living on newspapers, working as an editor in Richmond, Philadelphia, and New York. In 1836 he married his cousin, Virginia, who was then fourteen; she died eleven years later of tuberculosis. Poe died a few years later in 1849 and was buried in Baltimore beside his wife. His early work as a writer went unrecognized and he was forced to earn his living on newspapers, working as an editor in Richmond, Philadelphia, and New York. He is known as "The Portable Poe". After a reconciliation, Poe entered the Military Academy at West Point in 1830; he was dishonorably discharged in January 1831.... Free Essays on Edger Allan Poe Free Essays on Edger Allan Poe Edger Allen Poe Edgar Alan Poe was born in Boston in 1809, the son of itinerant actors. Both his parents died within two years of his birth. Edgar was taken into the home of a Richmond merchant, John Allan, although he was never legally adopted. His early work as a writer went unrecognized and he was forced to earn his living on newspapers, working as an editor in Richmond, Philadelphia, and New York. In 1836 he married his cousin, Virginia, who was then fourteen; she died eleven years later of tuberculosis. Poe died a few years later in 1849 and was buried in Baltimore beside his wife. His early work as a writer went unrecognized and he was forced to earn his living on newspapers, working as an editor in Richmond, Philadelphia, and New York. He is known as "The Portable Poe". After a reconciliation, Poe entered the Military Academy at West Point in 1830; he was dishonorably discharged in January 1831....

Ways of knowing are a check on our instinctive judgments. To what Essay

Ways of knowing are a check on our instinctive judgments. To what extent do you agree with this statement - Essay Example Next, a discussion of intuition as a way of knowing will discussed followed by a discussion of how the other ways of knowing reinforce and control our instinctive judgment; that it, their benefits as well as their flaws in shaping instinctive judgment. These will be discussed through their application in the various areas of knowledge. By the end of the essay, I hope to conclude that ways of knowing are a check on our instinctive judgments. The first word that needs explaining is â€Å"instinctive.† Going by the Oxford English Dictionary (OED), the word instinctive is derived from â€Å"instinct† and refers to â€Å"natural tendency for people and animals to behave in a particular way using the knowledge and abilities they were born with rather than thought or training.†2 One may have an instinct for fear, business or anything else. It is also a feeling that makes one do or believe that something is true, even though it is not based on facts or reason; in other words, intuition. In this case, instinctive judgment is equated to intuition. What we get from this definition is that one judges something without having to reason or give facts; it is a strong feeling that something is going to happen but we cannot be able to explain why. For example, women do have maternal instincts such that when something is going to happen to their child, they know it before hand or they can feel it but cannot explain what exactly is going to happen. Another case is when one is about to have an accident such as plane crash; one can feel it or there is a strong inner voice which tells you something bad is going to happen and you can act based on this instinct. As such, it is a way of knowing and justifying that knowledge even if it is not through conscious reasoning. If that something does happen, then we can prove our instincts right. In this sense, other ways of knowing such as reasoning act as verifiers to what we already know. This

An Effective Marketing Strategy to Market Kashi's New Steam Meals in Research Paper

An Effective Marketing Strategy to Market Kashi's New Steam Meals in Singapore - Research Paper Example Under the current scenario of being accused of using GMO ingredients, the company has lost some credibility. In addition to that, the rising price of its food products has led to consumer dissatisfaction. In spite of that Kashi recently launched four new steamed products namely Kashi chicken fettuccine steam meal, Kashi sesame chicken steam meal, Kashi roasted garlic chicken farfalle steam meal, and Kashi spinach and artichoke pasta steam meal, that are meant for the busy urban population as an alternative to a cooked meal. This seems to be an effort from the company to regain its consumer base. 1.1 Research topic, questions and objectives Marketing a new food product requires a strategy that is in accordance to the consumer taste and acceptance level. The paper discusses the strategy that should be followed by Kashi to promote its new products in Singapore. Singapore is a relatively new market for Kashi that poses many challenges to the company but at the same time is full of new pr ospects. The main objective of the paper is to understand the nature of the products being launched by the company to come up with a strategy for effective marketing of the products in Singapore. ... The objectives of the research are: To identify how to design, package and add value to the product by asking Kashi Company themselves some questions such as who is the product aimed at and what benefits customers expect from the product. To determine the right and appropriate pricing strategy that can generates turnover for the organization. To determine the right places to distribute the product to the end user (customer) at the right time. To find out effective promotion strategy and to ensure that the promotion of product’s benefits can be clearly communicated to the target market. 1.2 Research rationale The research aims to provide an analysis of the market of Singapore to determine what could be an effective strategy for food brands in the area. Singapore is an emerging market for many companies and in order to cater to the taste of the people of Singapore it is important to understand the people of Singapore. This knowledge of psychology will also be helpful in determin ing the price of the product, the sort of advertising that the product needs and the necessary value additions to the product. This research aims to provide a base for further research in the area. 2. Research Methodology 2.0 Overall research structure To achieve the objectives mentioned, the study will use secondary data which will include review of the available literature. The paper tried to link the importance of place and culture to the consumer preferences and the strategy that a food brand should execute based on the locality. A thorough analysis of the available research on the consumer preferences in Singapore, and the available market opportunities will be conducted. Further, an analysis of the prospects of organic food industry in a place like

Nans Goldin

Nans Goldin Nans Goldin Introduction If a still image can speak, it will tell you stories that will capture your imagination. It can describe how the photographer feels when taking the shot; it can also explain the emotions by the subjects to which the photograph has been taken, what the ambience of the location was and what the main feelings are during the poses. Even if the subject of the picture is not a living thing, that subject can be brought to life by the amazing shot captured by the master photographer. Composition and lighting have also contributed to the message the image wants us to understand. But then again still images cannot speak Which leaves us; the viewers create our own perception on what might the photo means. This has led to often wrong conclusions for those uninitiated by what the art offers. An image after being viewed can have different meanings, from different people some are quite far from the truth and others almost grasping it. The one, who really knows it and even feels the work, is the person at the back of the lens. One artist who really understands and definitely has passion for her work is Nancy Goldin, popularly known as Nan Goldin, she is an example of an artist who works at the most intimate level: her life is her work and her work, her life. It is nearly impossible to discuss Goldins photographs without referring to their subjects by name, as though the people pictured were ones own family and friends. It is this intimate and raw style for which Goldin has become internationally renowned. Her snapshot-esque images of her friends drag queens, drug addicts, lovers and family are intense, searing portraits that, together, make a document of Goldins life (Anon 2002). Biography Nan Goldin was born in Washington, D.C. on September 12, 1953. Soon she moved to Boston with her family. After her sisters suicide in 1965, Nan Goldin took up photography, in order to preserve her memories. Her camera turned into an eye that did not forget. Together with friends Goldin explored the aesthetics of fashion photography and got into contact with the Boston transvestite and cross-dresser scene. In the early 1970s Goldin strove for a documentary and objective depiction of the people, whom she admired for their special confidence. Later Goldin brought her pictures from this scene together in her book The Other Side. After studying at the School of the Museum of Fine Arts and the Tufts University in Boston, she moved on to color photography. In 1974 she produced her first exhibition project Image Works at the university in Cambridge. In 1977 Goldin graduated and one year later she moved to New York. During the late 1970s and early 1980s Goldins main motifs for her photographs were her friends, whom she regarded as a substitute for her family and who were very important to her. The viewer penetrates deeply into the privacy of the depicted, due to the exact titles of the photographies including name, place and date. Goldins slide show entitled The ballad of sexual dependency reflects the wild everyday life of her friends. These shows, which are added to a soundtrack of music, are particularly impressive, because Goldin adds and rearranges the slides for every show to reflect changing moods, emotions, impressions and memories. From 1986 Nan Goldin also exhibited abroad. In 1988 she had to undergo withdrawal from drugs, during which she began with a series of self-protraits, which show an intensified affect control. The loss of several friends due to AIDS infections during the early 1990s made Goldin return to depicting other people. Following the invitation of the DAAD, Nan Goldin spent a year in Berlin and in 1995 her work was exhibited alongside that of other artists as part of the new Boston School at the Boston Institute of Contemporary Art. Only one year later the Whitney Museum of American Art in New York hosted a retrospective exhibition of the photographers works. Today Nan Goldin is one of the most famous contemporary photographers and her work can be seen in many collections. The artist continues work to her lifes own rhythm in New York. References Nan Goldin Nan Goldin is an example of an artist who works at the most intimate level: her life is her work and her work, her life. It is nearly impossible to discuss Goldins photographs without referring to their subjects by name, as though the people pictured were ones own family and friends. It is this intimate and raw style for which Goldin has become internationally renowned. Her snapshot-esque images of her friends drag queens, drug addicts, lovers and family are intense, searing portraits that, together, make a document of Goldins life. Goldin herself has commented on her photographic style and philosophy, saying, My work originally came from the snapshot aesthetic . . . Snapshots are taken out of love and to remember people, places, and shared times. Theyre about creating a history by recording a history. On September 12, 1953, Goldin was born in Washington, D.C. Shortly thereafter, she and her family moved to a suburb of Boston, where Goldin was to spend several primarily unhappy years before moving away from her family. In 1965, when Nan was 14 years old, her older sister, Barbara Holly Goldin, committed suicide. Deeply disturbed by this event, Goldin sought comfort in her friends: in them, she created an alternate family. Having decided that conventional family life and traditional schooling were not for her, Goldin moved in with a series of foster families, and soon enrolled in an alternative school called Satya Community School. It was at Satya, located in Lincoln, Massachusetts, that Goldin met two people who would be great friends and influences for many years to come: David Armstrong and Suzanne Fletcher. As the memory of her sister started to become hazy, Goldin began to take pictures to preserve the present, and thus her fading memories of the past. She photographed her frie nds so she would never lose the memory of them, as had happened with her sister. Her photographs were her way of documenting their lives, and, in turn, her own. It was at Satya that Goldins fascination with photography truly began to take shape. Goldin, along with her new friends Armstrong and Fletcher, used photography as a way of reinventing herself and those around her. Heavily influenced by fashion photography, Goldin and her companions would dress up for one another. Trying their hands at cross-dressing and drag were commonplace; this early experimentation would shape Goldins lifelong fascination with the blurry line separating the genders. Through Armstrong, Goldin was introduced to the drag subculture in Boston, and thus a nightclub called The Other Side. There, she photographed drag queen beauty contests during the early 1970s and became friends with many transvestites. Goldin sought to depict her subjects in a straightforward, non-judgmental way: she saw drag as a way to reinvent oneself, and reinforced this idea by taking photographs of her friends in full drag regalia, as well as in various stages of preparation. In photographs su ch as David at Grove Street, Boston, 1972, Ivy Wearing a Fall, Boston, 1972, and Kenny Putting on Make-up, Boston, 1973, Goldin depicts her companions in various stages of drag. In the first two, the subjects stare unflinchingly at the viewer, each proud of his transformation, yet still calling attention to the fine line between masculine and feminine. In the third, Kenny is shown absorbed in his own beauty, concentrating intently on creating an alternate version of himself in the mirror. Through these portraits, along with the many others taken of her classmates and friends, Goldin illustrates the confusion and recklessness of the time in which she was creating her art. It was during this period that Goldin began her course of study at the Boston School of Fine Arts. This transition marks a change in Goldins photographic style. Prior to college she had used only black and white film, shooting primarily from available light sources (with the exception of some of the photographs made at The Other Side, for which she used flash). She soon began experimenting with color, which would become an integral part of her photographic style. The introduction of flash into her work also greatly contributed to what is known today as the Goldin look. Rarely working from natural light, Goldin illuminates her subjects with careful use of flash that extenuates her vibrant colors. She achieves bright, deep hues by printing her 35 mm film with a photographic process called Cibachrome. While normal, c-type prints are made from printing from color negatives, Cibachrome prints are photographs printed from slides. This process allows the photographer to achieve optimum colo rs and contributes greatly to the sharp, bright quality of color in Goldins prints. Goldins 1978 move to the Bowery in New York City marked a major life change, both in her career and her personal life. Goldins photographs of this period reflect her hard-living lifestyle: excessive use of drugs and alcohol and abusive relationships were commonplace in Goldins circle of friends. Goldin wrote, I believe one should create from what one knows and speak about ones tribe . . .You can only speak with true understanding and empathy about what youve experienced. True to her credo, Goldin documented everything: drunken parties, relationships good and bad, evidence of beatings, all of which created an intense portrait of a close-knit group of friends. In the early 1980s, these photographs would be shown in the form of slides during Goldins now-infamous slide shows. A melange of photographs and music, these shows were originally held at punk rock clubs in New York City in order for Goldins friends (and photographic subjects) to see the photographs that she had taken of them. Tin Pan Alley was one of the most frequent spots for these events, a locale that conveniently provided a working place for such up-and-coming artists as Kiki Smith, Cookie Mueller and Barbara Ess. At the time, the show (later called The Ballad of Sexual Dependency), which was made up of color photographs lit with flash, ran approximately 45 minutes. As Goldin evolved as an artist, the show also changed, and more photographs were added and songs were changed. Despite changes to the content of the show, the basic atmosphere of intimacy remained, and Goldins visceral style communicated raw emotion. It was in 1986 that Goldin began to take her show on the road, traveling abroad to exhibit her work. Ballad saw screen time at both the Edinburgh and Berlin Film Festivals. By 1988, Goldins drug and alcohol abuse had begun to take a toll on her life and work, and she entered a detoxification clinic. Though she had previously experimented with self-portraiture, it was in this clinic that she created many images of herself. Photographs such as My Bedroom at the Lodge, Self-portrait in front of clinic, and Self-portrait with milagro reveal an introspective Goldin, somewhat humbled by her experiences at the hospital. In Self-portrait with milagro, the viewer sees Goldin in her room at the clinic, sitting up on her bed. She leans toward the camera, taking up most of the frame; the remaining portion of the frame is taken up by her institutional bed pillows and a small crucifix hanging on the wall. Goldins proximity to the camera has caused her face to be slightly blurred compared with her sharply defined hand, which is resting on the pillows. This slight blurring, combined with the cramped composition of the photograph, communicates Goldins feeling of being t rapped within the hospital. The colors in the photograph are neutral except for Goldins mouth: situated in the center of the photograph, it is covered in bright red lipstick. This flash of color in the institutional setting catches the eye, then leads it down the pyramid-like positioning of Goldins body to her ringed hand, tense on her pillow. Self-portrait with milagro is a fine example of the simple way in which Goldin uses seemingly haphazard composition to carefully build the feeling (in this case, her claustrophobia in the hospital) that she is trying to communicate. During this time, Goldin faced an additional personal struggle: many of her close friends were dying of AIDS, which was then a relatively new disease. Perhaps most important of these was Cookie Mueller, a friend since 1976, the year in which Goldin started photographing her. Goldins series, entitled The Cookie Portfolio, is comprised of 15 portraits of Cookie, ranging from those taken at the parties of their youth to those from Cookies funeral in 1989. During the next few years, Goldin continued to photograph her slowly dwindling circle of friends, many of whom were afflicted with AIDS. She showed these photographs in many group exhibitions across the country and around the world and spent a year in Berlin on a DAAD grant, sponsored by a German organization that brings artists to Berlin. In 1994, she and her longtime best friend David Armstrong collaborated on a book called A Double Life. Composed of photographs taken by both Goldin and Armstrong, the book displays their differing styles of photographing the same person. Also included are some of their portraits of one another. A 1995 show at the Institute of Contemporary Art in Boston grouped Goldin, Armstrong and fellow photographers and friends Philip-Lorca DiCorcia, Mark Morrisroe, Jack Pierson and several others, and dubbed them the Boston School. This name stuck, and the photographers have since been referred to by this title. The Whitney Museum of American Art held a retrospective of Goldins work in 1996; it was called Ill Be Your Mirror. Composed of photographs from every period of her career, the exhibit also boasted a showing of a version of The Ballad of Sexual Dependency. Goldin continues to photograph and recently had her first solo show in London, at the popular White Cube Gallery. Her work continues to evolve with her life. Of this she writes, My work changes as I change. I feel an artists work has to change, otherwise you become a replication of yourself. With Goldins close, immediate style and stunningly beautiful images, there is no threat of her becoming a replication. http://fototapeta.art.pl/2003/ngie.php Your approach towards photography is very personal. Is not it a kind of therapy? Yes, photography saved my life. Every time I go through something scary, traumatic, I survive by taking pictures. You also help other people to survive. Memory about them does not disappear, because they are on your pictures. Yes. It is about keeping a record of the lives I lost, so they cannot be completely obliterated from memory. My work is mostly about memory. It is very important to me that everybody that I have been close to in my life I make photographs of them. The people are gone, like Cookie, who is very important to me, but there is still a series of pictures showing how complex she was. Because these pictures are not about statistics, about showing people die, but it is all about individual lives. In the case of New York, most creative and freest souls in the city died. New York is not New York anymore. Ive lost it and I miss it. They were dying because of AIDS. You decided to leave the United States because of the effect the AIDS epidemic had on the community of New York gay artists and writers? I left America in 1991 to Europe. I went to Berlin partially because of that, and partially because one of my best friends, Alf Bold, was dying and I stayed with him and took care of him. He had nobody to take care of him. I mean, he had lots of famous friends, but he had nobody to take care of him on a daily basis. He was one of people who invented the Berlin film festival. This was also the time when my Paris photo dealer Gilles died of AIDS. He had the most radical gallery in the city. He did not tell anybody in Europe that he has AIDS, because the attitude here was so different than in the United States. There was no ACT UP in Paris, and in 1993 it looked very much like in the US in the 1950s. Now it has changed, but at that time people in Europe told me: Oh, we do not need ACT UP. We have very good hospitals. Your art is basically socially engaged It is very political. First, it is about gender politics. It is about what it is to be male, what it is to be female, what are gender roles Especially The Ballad of Sexual Dependency is very much about gender politics, before there was such a word, before they taught it at the university. A friend of mine said I was born with a feminist heart. I decided at the age of five that there was nothing my brothers can do and I cannot do. I grew up that way. It was not like an act of decision that I was going to make a piece about gender politics. I made this slideshow about my life, about my past life. Later, I realized how political it was. It is structured this way so it talks about different couples, happy couples. For me, the major meaning of the slideshow is how you can become sexually addicted to somebody and that has absolutely nothing in common with love. It is about violence, about being in a category of men and women. It is constructed so that you see all different roles of women, then of children, the way children are brought up, and these roles, and then men, then it shows a lot of violence. That kind of violence the men play with. It goes to clubs, bars, it goes to prostitution as one of the options for women prostitution or marriage. Then it goes back to the social scene, to married and re-married couples, couples having sex, it ends with twin graves. You were one of the few photographers who started to take color pictures. How did it happen? I accidentally used the roll of color film in my camera. I thought it is black and white, but it was color. Unlike Egglestone and the other photographers using color, your pictures were discovered quite late. Some people discovered my photography early. It was just very underground. It was very good what they taught us at the art school: that you have to suffer to be an artist; that you do not need material, financial success, but you have to be driven. A lot of great artists came out of my school from that period. Some of them are my friends like David Armstrong and Philip Lorca diCorcia. When I first started to take pictures of drag queens my influences were glamour magazines, fashion magazines. I like Horst, Cecil Beaton, and the early work of Newton, I like Guy Bourdin. I did not know about art photography. In 1974, I went to school and there was a teacher who showed me Larry Clark. It has entirely changed my work. I knew that there had been somebody else who had done their own life. You know his book Tulsa? I knew that were precedents for using ones private experiences as art. So you just switched from this glamour photography to this very personal approach? No, I did not just switch. It was a long process of learning about the history of photography. He introduced me to August Sander, Weegee, Diane Arbus. The drag queens hated the work of Arbus. It was not allowed in the house, because they hated the way she photographed drag queens. She tried to strip them of their identity. She did not respect the way they wanted to be. Arbus is a genius, but her work is about herself. Every picture is about herself. It is never respecting the way the other person is. It is almost a psychotic need to try to find another identity, so I think that Arbus tries on the skin of other people. I have written a lot about Arbus. Some critics find connections between you and Arbus. What do you think about such comparisons? The daughter of Arbus thinks that there is no connection at all. I think there is some connection, because both of us have an unusual degree of empathy, but it is manifested in a different way. She was a photographic genius and I am not a photographic genius. My genius, if I have any, is in the slideshows, in the narratives. It is not in making perfect images. It is in the groupings of work. It is in relationships I have with other people. Is it not connected with your fascination with literature? You mentioned FaulknerÉ Faulkner wrote about one tiny community and he wrote around 25 great novels and many short stories. They are always set in the place he loves. It has an invented name, but it is a real place. It is all based on what he knows. I always fought strongly against traditional documentary photography. It has changed, but in the 1970s it was always strong white men going to India, making exotic pictures of something they have no idea of. I always felt that I have right to photograph only my own tribe or people, when I travel, to whom I get close to and that I gave something to. I never took pictures with a long lens, it is always short and I have to get close to people I photograph. What is the relation between the diary you write and the pictures you take? Nothing. My diary is really boring. Have you not tried to put together both diaries, textual and visual, and do something like Peter Beard? No. I think these are two different thingsÉ Have you ever published parts of this diary? No, I would never do this. I am writing it for myself and nobody else. My wish is to burn it immediately after my deathÉ Some of your pictures are blurred. You did it on purpose? Actually, I take blurred pictures, because I take pictures no matter what the light is. If I want to take a picture, I do not care if there is light or no light. If I want to take a picture, I take it no matter what. Sometimes I use very low shutter speed and they come out blurred, but it was never an intention like David Armstrong started to do what we call, he and I, Fuzzy-wuzzy landscapes. He looked at the back of my pictures and studied them. He started to take pictures like them without people in them. They are just out of focus landscapes. He actually did it, intentionally threw the camera out of focus. I have never done it in my life. I take pictures like in here when there is no sun or light that I think all my pictures are going to be out of focus. Even Valerie and Bruno and whatever I take, because there is not enough light, and so I use a very low shutter speed. It used to be because I was drunk, but now I am not. The drugs influenced all my life. Both good and bad. I hear d about an artist in Poland, Witkacy, who wrote down on his paintings all the drugs he was on. Depending how many drugs he took, that is how much he charged for the portrait. I saw his portrait at the National Museum, a kind of German expressionism, and I loved it. I saw your pictures in the 50th anniversary issue of Aperture magazine. What shocked me most was the relation between them and the new Leica ad this one with your hands holding the M7, very artistic and black and white I never thought of your photography being as classic as Leica. I always use Leica. Previously it was M6, and recently I work with M7 camera. I received one as a salary for this particular ad. However, I immediately lost it while photographing the Valerie floating series. I was swimming with her holding my camera in one hand and taking pictures at the same time. It was really difficult. The camera got broken, but the photographs were really worth the price. How do you feel having these radical works being shown at the most prestigious museums? In Paris, for instance, I had a choice between the Centre Pompidou, where all the people go, and the most beautiful museum in Paris, Musee de la Ville de Paris. I liked the women who worked at the museum, but I also loved the man who was taking over the Pompidou. I am very loyal to anybody who has helped me, especially before I was famous. Some told me that I should choose this beautiful museum, but I chose the Pompidou, because I wanted people to see it. To the beautiful museum go only artists and elites. What are you going to do next? After the Devils Playground and the Matthew Marks show in New York? I do not know. I never know. I think it is going to be something different, because I have been through hard times. We will see how the market will react to this, but I do not care about the art market at all. My dealers are becoming greedier and greedier. They start talking to me in this strange way saying We will show this and this picture, because they are going to sell well. I am worried about that they no longer even pretend to have any ideals. At least my American dealers. Interview by Adam Mazur and Paulina Skirgajllo-Krajewska

Recessions and Depressions Essay -- Economy, The Great Depression

America has experienced several recessions and depressions in the past. Most recently, the housing crisis sparked a recession which has led to rising unemployment. The largest recession so far has been the Great Depression of the 1930s. A stock market crash in 1929 caused loss of savings which led to unemployment, lower wages, and a distrust of the banking system. The affects of it lasted into the 1940s. Franklin Roosevelt was elected president during this period; legislation he passed tried to alleviate the suffering of the public. As a result of the Great Depression, Franklin Roosevelt created the Civilian Conservation Corps to employ jobless young men and improve government land. The decade directly preceding the Great Depression was prosperous and lucrative. Many factors led to this era, often called the roaring twenties. The use of labor-saving machinery affected several industries. Henry Ford’s Model T suddenly was much cheaper, which enabled more families to purchase one. Less than seven million cars were on US highways in 1919. That number leaped to 23 million in 1929. This increase of cars and travel led to the expansion of gas stations, roadside restaurants, and service and repair stations. The use of machinery decreased the amount of labor needed on farms while increasing the yield per acre. Prohibition was still being enforced so the need for moonshine created an economic niche for those entrepreneurs not afraid of the law. Radio sales also increased rapidly. Total radio sales in 1922 were at $60 million while 1929 had radio sales totaling $850 million. This increase of radios also enabled more commercials to reach the ears of consu mers. For the first time, marketing messages were being sent direct... ... always conservation. As the depression slowly lessened and the program drew to a close, critics began to wonder if the Corps was conserving public lands, or over-developing it (â€Å"New Deal for Parks† 8). The looming threat of World War II redirected the efforts of the CCC. While the Corps still worked on government land, it was mainly on military bases to build or refurbish airfields and artillery ranges. When the United States officially joined World War II, funding for the Corps was cut. Even if funding had been continued, the program would’ve shrunk drastically as many of the enlistees joined the Army and were sent overseas to fight the war. The Civilian Conservation Corps is widely viewed as one of the more successful programs of the New Deal. It employed half a million young men while improving thousands of acres of public land (New Deal for Parks 8).

Fun Loving Girl Essay

I have a grown daughter that is on her own with a very special little girl that has stolen my heart. They are most important in my life and always will be. Family is very important to me and I want to be with someone who also values family. This fun loving girl is ready to start taking care of her social life. I keep myself busy as a foster parent and sometimes forget that I need to get out and have some fun. I am a small town country girl who just likes to keep things simple. I work at a hunting lodge so stay very busy during the season. I love what I do and don’t consider it a job. I’ve grown up around guns and like to shoot at the range. Never been out hunting, but would like to see what it is all about†¦.. test the ‘if it flies, it dies’ theory. I shot clays for the first time last fall and really enjoyed it, so looking forward to doing that again. Love to go fishing (and yes, I can bait my own hook), just kicking back and taking it easy, spending time around the fire with friends having a few drinks and lots of laughs. I’d rather look at the stars and kiss in the rain than go to the mall. I like NASCAR and hope to get to a race someday. I think it would be awesome to take a car for a spin around the track too. Demo derbies, stock-car races, dirt track†¦. love the atmosphere. I haven’t been on the back of a bike in a very long time and have always wanted to learn to ride myself, so if you are into that, I am not opposed to having the wind in my hair. I enjoy rock from the 70’s, 80’s and 90’s and country. Never had much opportunity to learn how to two step but would like to learn. I like to go to out of the way places to look at the history, the old buildings and structures and remnants of the past that have been left behind. Antique stores and such are fun to explore and I like going to the local country auctions. I can always find something from the past that catches my eye. I’m looking for someone to enjoy life with†¦. Start out slow but have no limits to where it may go. I am a very affectionate girl who loves holding hands in public and giving hugs and kisses because that is how I like to show you that I care and I am really into you! I don’t have time to play games†¦.. unless, of course, they are mutually agreed upon. I am adventurous and passionate, so intimacy and romance is a must. You should know that I give like I want to get back and am looking for that special guy that does the same thing. You must have a great sense of humor! I love to laugh and can find humor in just about anything. I believe you have to laugh at yourself before you can laugh at someone else. And I laugh at myself every day! Laughter is a great healer and I try to surround myself with people who laug h at the smallest most ridiculous thing, and can also create their own humor. I am looking for someone to build a relationship with, that special friend to stand by my side through it all†¦the good and the bad. I want someone who also tries to keep a positive attitude in all things. I am determined to be happy, regardless of what life throws at me. I have learned through experience that the greatest part of my happiness will depend on my disposition, not my circumstances. I choose to be happy. I want someone to enjoy life with. I don’t need someone to change me or someone to change for me. I am who I am, I’m not perfect but I work through my imperfection to be a better person. Life is not certain so I live life with no regrets, I am who I am because of my life and don’t live in the past. I look forward to each new day and the adventure it brings. So if there is someone out there who is up to the task, I am ready to have fun. Here is our chance to maybe finding that spark for more. I am looking forward to meeting new people, forming lasting friendships, exploring life and the possibility of ultimately finding my soul mate. If you get what I’ve said here, then hit me up and we can get to know each other.

The Human Resource Information Systems Essay - 1796 Words

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